Museum of Fine Arts, Boston
July 22–November 5, 2017
This exhibition presents a selection of the MFA’s exceptional holdings of works by Alfred Stieglitz (1864–1946), the great American impresario of photography at the turn of the 20th century. Featuring 36 photographs, the exhibition showcases fine examples of his New York views, portraits and photographs that Stieglitz took at his family’s country home at Lake George.
Alfred Stieglitz's “The Terminal”1893
Alfred Stieglitz “The Steerage” 1907
Alfred Stieglitz “From the Shelton, Looking West,” 1934
The New York views reveal the artist’s lifelong interest in the urban city, from his early explorations of the picturesque effects of rain, snow and nightfall to later ones that focus on the inherent geometry of modernity’s rising architectural structures.
Alfred Stieglitz, Georgia O’Keeffe: A Portrait (4), 1918. Photograph, gelatin silver print. The Alfred Stieglitz Collection—Gift of the Georgia O’Keeffe Foundation, Sophie M. Friedman Fund and Lucy Dalbiac Luard Fund.
The portraits include 10 images from Stieglitz’s magnificent extended series of images of his wife, the celebrated painter Georgia O’Keeffe—a “portrait in time” that reflects his ideals of modern womanhood and is evocative of their close relationship. These portraits are accompanied by additional images of members of his family and friends.
The Lake George photographs include, in addition to views of the family property, a sequence of the mystical cloud studies that Stieglitz called “equivalents,” which explore the interpretation of inner states of being.
Many of the photographs on view were donated by Stieglitz to the MFA in 1924—making it one of the first museums in the US to collect photography as fine art. Enhanced by an additional gift from O’Keeffe in 1950, the MFA’s Stieglitz holdings form an outstanding survey of the photographer’s career, as well as the cornerstone of the Museum’s photography collection.